This double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Betty’s Turn, Stephen Melville; Richard Serra in Germany, Magdalena Nieslony; Beheadings and massacres, Federico Navarrete; Pliny the Elder and the identity of Roman art, Francesco de Angelis; Between nature and artifice, Francesca Dell’Acqua; Narrative cartographies, Gerald Guest; The artist and the icon, Alexander Nagel; Preliminary thoughts on Piranesi and Vico, Erika Naginski; Portable ruins, Alina Payne; Istanbul: The palimpsest city in search of its archi-text, Nebahat Avcioglu; The iconicity of Islamic calligraphy in Turkey, Irvin Cemil Schick; The Buddha’s house, Kazi Khalid Ashraf; A flash of recognition into how not to be governed, Natasha Eaton; Hasegawa’s fairy tales, Christine Guth; The paradox of the ethnographic-superaltern, Anna Brzyski, and contributions to “Lectures, Documents and Discussions” by Karen Kurczyncki, Mary Dumett, Emmanuel Alloa, Francesco Pellizzi, and Boris Groys.

This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.

This double volume of the renowned international journal of anthropology and comparative aesthetics includes “Aesthetics’ non-recyclable ground” by Félix Duque; “Seeing through dead eyes” by Jonathan Hay; “The hidden aesthetic of red in the painted tombs of Oaxaca” by Diana Magaloni; “A consideration of the quatrefoil motif in Preclassic Mesoamerica” by Julia Guernsey; “Hunters, Sufis, soldiers, and minstrels” by Cynthia Becker; “Figures fidjiennes” by Marc Rochette; “A sacred landscape” by Rachel Kousser; “Military architecture as a political tool in the Renaissance” by Francesco Benelli; “The icon as performer and as performative utterance” by Marie Gasper-Hulvat; “Image and site” by Jas’ Elsner; “Untimely objects” by Ara H. Merjian; “Max Ernst in Arizona” by Samantha Kavky; “Form as revolt” by Sebastian Zeidler; “Embodiments and art beliefs” by Filippo Fimiani; “The theft of the goddess Amba Mata” by Deborah Stein; and contributions to “Lectures, Documents and Discussions” by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.